packaging for a self-conceptualised non-gendered skincare product that aims to open accessibility in the
Expressive custom typography presented on a stark backdrop parallels the sophistication
of quality skin cream, crafting a lush selfcare experience.
Live And Let Live
Garment design based on the medieval system of merchant law, ‘Live and Let Live’, which encourages the celebration of diversity by embracing the way other people live and behave, regardless of differences.
Contrasting pieces of lettering are designed to evoke separate responses, whilst still populating the same canvas, indicitave of the way we cohabitate as humans.
Work-in-progress typeface produced as an experiment in organic type design in Glyphs.
Australia Vietnam Skills Conference
identity for a conference targeted at communicating the value of alternative
Vocational Education and Training programs for Vietnamese students and
enhancing Australian and Vietnamese governmental collaboration in an
ever-evolving and increasingly multicultural education sector.
Custom typography featured draws from
Vietnamese wild postings with pronounced and decorative monochromatic type.
Secondary type presents key event details and mimics antique ticket stub
‘jewel’ in French, Bijou
imitates the sharp cuts of diamonds and other precious gems to produce a boisterous
display face intended for use wherever one wishes to concurrently convey both power and fragility.
Built on a simple
grid system, Bijou also draws likeness to crude papercut shapes, personifying a
state of youthful enthusiasm and unrestrained vigour, while remaining refined
and considered in execution.
Under The Rug
Poster design juxtaposing totems of
Australian Dreamtime’s three
core worlds (sacred, physical and human) against their rough counterparts in my
Visual dichotomy highlights the parasitic relationship
with material wealth prominent in Western culture that has ultimately driven the
exploitation of Indigenous peoples and land for short-term and superficial gain.
Future Of Finance Initiative
branding and promotion for Griffith University’s Future of Finance Initiative,
a student-led organisation existing to advance youth financial knowledge
surrounding social impact investment and positive divestment.
A grid-built FFI
wordmark is used to create a series of unique and organic patterns which visually
represent distinctive and individualised forms of social investment, breaking
free from the framework of traditional finance to produce something purposeful.