Design and packaging for a hypothetical skincare product that aims to remain neutral in the heavily gendered beauty industry.
Expressive custom typography presented on a stark backdrop parallels the sophistication
of quality skin cream, crafting a lush selfcare experience.
Garment design based on the medieval system of merchant law, ‘Live and Let Live’, which encourages accepting others’ behaviours and lives, in order to not squander your own.
Contrasting pieces of lettering are designed to evoke separate responses, whilst still populating the same canvas, indicative of the way we cohabitate as humans.
Work-in-progress typeface produced as an exploration in organic type design through Glyphs.
Australia Vietnam Skills Conference
2021
Hypothetical
identity for a conference pitching the value of alternative
Vocational Education and Training programs for Vietnamese students and
enhancing Australian and Vietnamese governmental collaboration in an
ever-changing and increasingly multicultural education sector.
Custom typography draws from
Vietnamese wild postings with pronounced and decorative monochromatic type.
Secondary type presents key event details and mimics antique ticket stub
layouts.
Meaning ‘jewel’ in French, Bijou imitates the sharp cuts of diamonds and other precious gems to produce a boisterous display face that concurrently conveys both power and fragility.
Built on a simple grid system, Bijou also draws a likeness to crude, papercut shapes, personifying youthful enthusiasm and unrestrained vigour, while remaining refined and considered in execution.
Poster design juxtaposing totems of
the Indigenous
Australian Dreamtime’s three
core worlds (sacred, physical and human) against their rough counterparts in my
non-Indigenous culture.
Visual dichotomy highlights the parasitic relationship
with material wealth prominent in Western culture that has ultimately driven the
exploitation of Indigenous peoples and land for short-term and superficial gain.
Future of Finance Initiative
2021
Proposed
branding and promotion for Griffith University’s Future of Finance Initiative,
a student-led organisation advancing youth financial knowledge
around social impact investment and positive divestment.
A grid-built FFI
wordmark is used to create a series of unique and organic patterns which visually
represent distinctive and individualised forms of social investment, breaking
free from the framework of traditional finance to produce something more purposeful.
